Dr. Laura De Giorgio - Seven Stages Of Alchemical Transformation
English | Size: 183.47 MBCategory: E-book
Seven Stages of Alchemical Transformation consists of seven hypnosis CDs - each one guiding you through meditation related to specific stage of inner alchemical transformation.
The language used on these recordings is simple, straightforward and easy to understand, so you can benefit from these recordings, regardless of your previous experience and understanding of alchemical symbolism. All references to alchemical symbolism are explained - and while previous knowledge related to Western Alchemy is not necessary to follow this program, it is nevertheless designed for people genuinely interested in spiritual growth and inner transformation. In that respect, this Alchemical program does require one's willingness to fully and completely embrace spiritual worldview.
The alchemists believed that the univeral formula contained in the Emerald Tablet was the basis for a spiritual technology first introduced on the planet in ancient Egypt more than 10,000 years ago. This formula consists of seven consecutive operations performed on the "matter" - whether it be of a physical, psychological, or spiritual nature.
To guide us through this process, we are going to make use of a tool actually used by the alchemists - a meditative mandala first published in 1759 as an illustration for the book "Azoth of the Philosophers" by the legendary German alchemist Basil Valentine.
The word "Azoth" in the title is one of the more arcane names for the One thing described in the tablet. The "A" and "Z" in the word related to the Greek alpha and omega, the beginning and end of all things. the word is meant to embrace the full meaning of the One Thing, which is both the chaotic First Matter at the beginning of the Work and the perfected Stone at its conclusion.
At the center of this remarkable drawing is the face of a bearded alchemist at the beginning of the Work. Like looking into a mirror, this is where the initiate fixes his or her attention to meditate on the mandala.
Within the downward-pointing triangle superimposed over the face of the alchemist is the goal of the Work, the divine man in which the forces from Above and the Below have come together.
The alchemist's schematized body is the offspring of the marriage between the archetypal Sun King, seated on a lion on a hill to his right, and the archetypal Moon Queen, seated on a great fish to his left. "Its father is the Sun", says the tablet, "its mother the Moon".
The laughing, extroverted Sun King holds a scepter and a shield indicating his authority and strength over the rational, visible world, but the fiery dragon of his rejected unconscious waits in a cave beneath him ready to attack should he grow too arrogant.
The melancholy, introverted Moon Queen holds the reins to a great fish, symbolizing her control of thos esame hidden froces that threaten the King, and behind her is a chaff of wheat, which stands for her connection to fertility and growth. The bow and arrow she cradles in her left arm sybmolize the wounds of the heart and body she accepts as part of her existence.
In simplest terms, the King and Queen representthe raw materials of our experience - our thoughts and feelings - with which the alchemist works. The King symbolizes the power of thought, ultimately the One Mind of the highest spirit. The Queen stands for the influence of uncontrollable feelings and emotions, which are ultimately the chaotic One Thing of the greater soul.
The much anticipated marriage of the King and Queen produces a state of consciousness best described as a feeling intellect, which can be raised and purified to produce a state of perfect intuition, a direct gnosis of reality. "All Obscurity will be clear to you", says the tablet of this state of mind.
This goal of alchemy is to make this golden moment permannet in a state of consciousness called the Philosopher's Stone, and it all starts with the marriage of the opposites within.
In our drawing, the body of the alchemist is connected to the four elements. His feet protrude from behind the central emblem; one is on Earth and the other in Water. In his right hand is a torch of Fire and in his left a feather, symbolizing Air. Between his legs hangs the Cubic Stone labeled with the word Corpus, meaning body. The five starts surrounding it indicate that it also contains the hidden fifth element, the invisible quintessence whose "inherent strength is perfected if it is turned into Earth."
Where the head of the alchemist should be, there is a strange winged caricature that is variously interpreted as a heart, a helmet, or even the pineal gland at the center of the brain. The symbol evolved from the Winged Disk of Akhenaten and became the top of the caduceus, the magical wand of Hermes where opposing energies merge to produce miracles. This knob represents the Ascended Essence, the essence of our souls raised to the highest level in the body - to the brain - where it becomes a mobile center of consciousness able to leave the body and travel to other dimensions of reality.
Touching the wings of the caduceus are a salamander engulfed in flames on the left side of the drawing and a standing bird on the right. Below the salamander is the insciption Anima (Soul); below the bird is the inscription Spiritus (Spirit). The salamander, as a symbol of soul, is attracted to and exposed in the blazing fire of the Sun. Likewise, the bird of spirit is attracted to the coolness of the Moon and is reflected in it. This is a subtle statement of the fundamental bipolar energies that drive the alchemy of transformation.
Spiritus, Anima, and Corpus form a large inverted triangle that stands behind the central emblem. Together they symbolize the three archetypal celestial forces that the alchemists termed Sulfur, Mercury, and Salt. Again, these are not chemicals at all, but our feelings, thoughts, and body.
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